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Luca

Pixar Animation Studios, 2021

The Disney Pixar combination has been responsible for some of the most charming, heartwarming and genre-defining films for as far back as many of their fans can likely remember. Many of their poignant, coming-of-age stories are designed to shine a spotlight on what are often real-world social or personal issues that we have all likely faced at some point or another. These themes are then unpacked and resolved across bright and colourful worlds by larger-than-life characters who often carrying flaws all too familiar to us as an audience. It’s a formula that continues to delight audiences of all ages, and one that Enrico Casarosa’s Luca delivers on beautifully. It’s not one of the most complex or layered examples to join the catalogue of other Pixar films, but instead it’s a story that seems to revel in its freedom and simplicity. By focusing on just a few key themes, Luca manages to explore each of them deeply – ultimately crafting one of the brightest and most charming adventures you’ll find on screen this year.

A quick opening act introduces the audience to titular character Luca (Jacob Tremblay), a young ‘sea monster’ who has grown tired of tedious days spent farming alongside his protective family and combing the sea floor for relics of the world on the surface. Things suddenly take a turn when he meets Alberto (Jack Dylan Grazer), another young monster who takes Luca under his wing and introduces him to life above the water. After discovering that his form changes to that of a human when on dry land, Luca decides to join Alberto on an adventure to the local seaside town where they intend to begin a life of freedom on the road. Things become complicated when the pair discovers that their dream may not be as easy to achieve as first expected, and that the local humans have pretty strong feelings about Luca’s kind.

Pixar Animation Studios, 2021

It’s a plot that hits many familiar beats, but Luca manages to put enough of an original spin on things to keep the story fresh and exciting. You’ve seen other films explore the challenges of friendship, growing up and being different, but have you seen them delivered by colourful Italian sea creatures? It also keeps things fairly lighthearted for the most part, steering clear of some of the more dramatic plot twists or dire villains that similar films play to really turn the emotional screws. Casarosa hits a specific tone with the film, drawing on his childhood life and friendships to craft a world that somehow feels both foreign while also as welcoming as a long overdue trip home.

This general vibe comes largely from the characters of Luca, who collectively go a long way to create a lively community while showcasing the Italian culture. Both Tremblay and Grazer bring a youthful energy and passion to Luca and Alberto respectively, helping their on-screen bond to be as strong as the story demands. Luca’s mother Daniela (Maya Rudolph) and father and Lorenzo (Jim Gaffigan) fill the roles of anxious, overprotective parents that will be familiar to fans of similar films, however they hit their key moments effectively without dragging on the adventure’s momentum too much. One of the most influential characters comes in the form of young human girl Giulia (Emma Berman), who meets the boys as they arrive in town while she struggles with her own identity issues and obnoxious local bully Ercole (Saverio Raimondo). Berman brings an infectious positivity to her character, which immediately endears her to the audience and injects enough energy into the story to keep things flying high until the credits roll. Special mention also goes out to Giulia’s father Massimo (Marco Barricelli) and cat Machiavelli, who both play strong, silent types until it’s time to deliver some of Luca’s more touching and lighthearted moments.

Pixar Animation Studios, 2021

All of these characters and the world around them are brought to life even more by Luca‘s stunning visuals both above and below the sea. As expected from a Disney Pixar film, no corner has been cut when it comes to creating a colourful and vibrant cast of characters and backdrops. The crystal clear sea and rolling hills surrounding the idyllic Italian town deliver what most of us would dream a European seaside looks like on the edge of summer. Similarly, each of the characters have personality traits and stories woven into them simply through their appearance, with the famous animation studio working their usual magic to make each character come alive with colour and emotion. Its particularly hard to refer to Luca and Alberto as ‘sea monsters’ when their water forms are made up of beautifully coloured, coral-like scales that flow on the water as the two glide along from one picturesque spot to another.

These strengths all help Luca secure a spot among Disney Pixar’s huge catalogue of poignant, thoughtful and visually impressive successes. It may not revolutionise the genre or take any of its themes to strange, new places, but it still manages to deliver a mesmerising tale that should strike a chord with audiences of all ages, featuring an inventive plot that is enough to set it apart from much of the rest. With a gorgeous Italian setting full of charismatic characters, Luca is like a breath of warm summer air among the darker, more intense films doing the rounds at the moment. Let it brighten up your winter this year, unless you really have something against pasta, sunshine or harmless, bicycle-riding sea creatures.

Pixar Animation Studios, 2021

Luca stars Jacob Tremblay, Jack Dylan Grazer, Emma Berman, Saverio Raimondo, Maya Rudolph, Jim Gaffigan & Marco Barricelli – streaming now on Disney+.

Rating: 8.5 out of 10.

8.5/10

Categories
Movie Reviews

The Mitchells vs. the Machines

Sony Animation Studios, 2021

With 2018’s Into the Spider-Verse Sony Animation Studios showcased a willingness to take risks that further animation as a genre, pioneering new technologies that gave the umpteenth film adaptation of Spider-Man a fresh perspective; blurring the lines between traditional hand-drawn and computer-generated animation styles. Having successfully reinvented the superhero genre with their first effort, the studio (with superstar producers Christopher Miller and Phil Lord returning) set its sights on a more traditional animated comedy: a cross-country family road-trip… derailed by the robot apocalypse. With a gleefully anarchic energy and endless amounts of creativity on display, writer/director duo Mike Rianda and Jeff Rowe deliver the first truly great animated film of 2021; a heart-warming and hilarious skewering of humanity’s dependence on devices in the digital age that rivals Pixar in the “grab the tissues” department and which never fails to bring a smile to your face.


The Mitchell family are different. None more so than daughter Katie (Abbi Jacobson), whose love of making weird and whacky short films has long been misunderstood by her quirky mother Linda (Maya Rudolph) and practical, nature-loving father Rick (Danny McBride). When frustrations boil over the night before Katie’s departure for film school, Rick takes it upon himself to organise a cross-country trip to deliver his daughter to her dorm, in a last ditch effort to reconnect. Joined by dinosaur-obsessed little brother Aaron (Mike Rianda) and the family dog Monchi (Doug the Pug), the group’s trip is quickly interrupted by the arrival of robots hell-bent on capturing the human race; a product of Apple-like tech giant PAL and its phone-bound AI leader (Olivia Colman). As the last free humans and the only people that can defeat PAL, the Mitchells must put their differences aside and band together, relying on each of their unique strengths to save the world and their family.

Sony Animation Studios, 2021

What strikes you almost immediately is the vibrant and relentlessly unique style of The Mitchells. It isn’t overstating things to say that this is animation unlike anything you’ve seen before; an unorthodox combination of Family Guy style cutaway gags combined with a kind of digital scrapbook, with doodles and scribblings constantly appearing on-screen to heighten the energy of any given scene – all touches designed to represent one of Katie’s frenetic DIY short films that are often referenced. Combined with Abbi Jacobson’s bubbly, energetic voiceover and a litany of blink and you’ll miss them sight gags, the film never gives you a second to be bored, in the best possible way. It also creates excellent pacing that ensures that the substantial runtime (for an animated feature) of almost two hours flies by without ever dragging.


Like Spider-Verse before it, The Mitchells owes a large part of its uniqueness to the gorgeous visuals on display, with new techniques being created specifically for the realisation of this film. The characters are rendered in 3D, with delightfully whacky proportions and designs reflecting each individual person’s (or robot’s) traits, but the true beauty comes in the background. Beautiful watercolour art populates the background of every scene, making those 3D models and their movements pop against its stillness. Katie’s 2D doodles and scribblings add yet another layer, all working in tandem to create lush, vibrant environments that make the eye water. The visuals are often also used to aid the story’s focus on deconstructing the role modern technology plays in people’s lives, quickly cutting between a character and a popular viral video to terrific effect, in a way that doesn’t feel like a gimmick but a timely and hilarious sight gag

Sony Animation Studios, 2021

Underneath the technical wizardry and mile-a-minute comedy is a heartwarming and deeply emotional story of one family’s journey to get along, particularly a father and daughter separated by the warring desires of Rick to protect and Katie to break free and discover herself. Rianda and Rowe’s story always feels deeply personal and inspired by their own families, albeit taken to the extreme in the form of the unorthodox Mitchells. The central relationship may be between Rick and his daughter but each family member gets a chance to shine as Linda struggles to prevent Rick and Katie’s conflict from becoming unreconcilable and Aaron must come to terms to life without his best friend and big sister, coming out of his shell and bonding with neighbour Abby (Charlyne Yi).


The voice work is stellar all around, with a few notable standouts including McBride whose typical gruff and crude schtick is pushed aside in favour of a more zany yet loving father, who dotes on his children endlessly and pushes for them to fend for themselves in the big bad world. Rianda pulls triple time here as the voice of Aaron, a shy nerd with difficulty relating to anyone but his sister. He has easily some of the best lines in the whole film and the tender relationship between brother and sister is evident in the way Aaron looks up Katie, with her leaving a heavy weight on Aaron’s shoulders. In the robotic department, Saturday Night Live alumni Beck Bennett and Fred Armisen are gut-bustingly funny as a pair of damaged PAL-bots who have devoted themselves to protecting the Mitchell family, subverting typical robot clichés to hysterical effect.

Sony Animation Studios, 2021

It’s hard to describe in words just how wholly and extraordinarily special The Mitchells vs. the Machine is. Sony Animation have followed up their first huge gamble with an even bigger leap and it has absolutely paid off, with a film that surpasses Spider-Verse in terms of technical prowess and sheer scale. With humour and charm in spades, extremely likeable characters with real emotional depth and some of the best looking animation I have ever seen, this is an easy recommendation that you can stream right now on Netflix. If you make it through without cracking a smile, you might be a robot, but I loved my time with the Mitchell family, and I’m willing to bet you will too.

Sony Animation Studios, 2021

The Mitchells vs. the Machines stars Abbi Jacobson, Danny McBride, Maya Rudolph, Mike Rianda, Eric André, Olivia Colman, Fred Armisen, Beck Bennett, Chrissy Teigen, John Legend, Charlyne Yi, Blake Griffin, Conan O’Brien & Doug the Pug – Streaming on Netflix now.