Categories
Movie Reviews

The Trial of the Chicago 7

Dreamworks Pictures/Netflix, 2020

America has been in an interesting state this year. From the devastating impact of the pandemic and its mismanagement by the government to the recent Black Lives Matter protests and rise of white supremacists, it seems as if the country was on the brink of collapse. It seems almost too good to be true then that Netflix’s latest film The Trial of the Chicago 7 released when it did, tapping into the country’s fear of racial discrimination and police brutality in a way that perfectly captures the public’s fury at the horrifying events which have plagued the country. Written and directed by master scribe Aaron Sorkin, the film tells the story of the 1968 Democratic Convention riots in Chicago and the subsequent trial of the seven individuals charged with inciting the riots, with dialogue only he could pen, crackling with intensity and urgency. Beyond the writing, the film also features some incredible performances from the entire cast including Sacha Baron Cohen, Eddie Redmayne and Frank Langella (to name a few) which should make it a sure-fire contender come Oscar season.

For those who don’t know the story of the Democratic convention riots, the film does a good job early on to introduce you to the many elements and characters that led to the ultimate violent clash between protestors and police. At the height of the Vietnam War, three protest groups in America – all seemingly independent yet aware of each other – agreed to demonstrate against forced conscription by rallying in Chicago’s Grant Park. Once the police arrive and things get out of hand, chaos erupts, ultimately leading to the arrest of eight men: Tom Hayden (Eddie Redmayne), Rennie Davis (Alex Sharp), Abbie Hoffman (Sacha Baron Cohen), Jerry Rubin (Jeremy Strong), David Dillinger (John Carroll Lynch), John Froines (Danny Flaherty), Lee Weiner (Noah Robbins) and Bobby Seale (Yahya Abdul-Mateen II), the leader of the Black Panthers. The trial that ensues is anything but ordinary, a farcical mess thanks to the clearly prejudiced presiding Judge Julius Hoffman (Frank Langella), leaving defence attorney William Kunstler (Mark Rylance) little recourse in his fight for justice; essentially handing the win to prosecution lawyer Richard Schultz (Joseph Gordon-Levitt).

Dreamworks Pictures/Netflix, 2020

While it does take some dramatic liberties with certain aspects of the story, Sorkin’s script is a masterclass in engaging, fast-flowing dialogue. The few scenes of action are very well shot, with Sorkin showing an eye for fast, frenetic paced chaos but it is the dialogue that is utterly spellbinding and will have you glued to your seat throughout the entire trial. Rarely do courtroom films feel so alive and full of energy, with each outburst from the judge or one of the defendants adding an extra layer to the trial and further stacking the deck against the Chicago 7. It might not be entirely realistic for the court to be so lively but Sorkin writes with such passion for justice that it is extremely hard not to get invested, as Kunstler desperately attempts to make Judge Hoffman see reason and that Bobby Seale’s rights are being infringed upon. Seale is the only accused not to be represented by Kunstler (hence it not being the Chicago 8) and his back-and-forth with Judge Hoffman is magnificent, filled with rage and mutual contempt. It has been a good long while since I have been as invested in a film’s courtroom case as much as this one, and it is clearly an area that Sorkin thrives in, following A Few Good Men and The Social Network’s equally arresting trials.

A good script is nothing without actors to bring it to life and Sorkin has assembled a veritable smorgasbord of talent here to do it. Eddie Redmayne as Tom Hayden is the perpetually unsure yet resolute champion for civil rights revolution through non-violent, legal means. Redmayne fluctuates between remorse for the riots that he may have had a hand in starting and confidence that – once they bite their tongues and win the trial – they can continue to make strides towards civil rights change. You can feel the internal conflict within Redmayne; moving between nervous looks and hard unblinking gazes that underly the terror he feels at the thought of going to prison. Sacha Baron Cohen’s Abby Hoffman, on the other hand, does not share this same view, perpetually confident that the trial will be the loud, public spectacle that will bring worldwide attention to the civil rights injustice in America and willing to sacrifice himself for that ideal if need be. The not-so-subtle jabs he and the equally great Jeremy Strong shoot at Judge Hoffman are particular highlights; moments of levity and humour that give the audience a respite from the bleak outlook of the trial. As the trial wears on, Abby’s confident façade begins to fade, a weariness settling over him and a fear that the trial will not actually change things. Baron Cohen’s performance is excellent, playing not only to his comedic strengths but also his outspoken political ideals (just look at his Borat sequel); a winning combination that may just net him a well-deserved Best Supporting Actor nod.

Dreamworks Pictures/Netflix, 2020

Frank Langella threatens to outshine them all, however, as the aggressively one-sided Judge Hoffman. The man embodies the worst traits of the upper class; snubbing his nose at the “hippy” Chicago 7 and denying them their due process in the system. It’s a performance that, on its surface, works to make you absolutely loathe the character and get you completely behind the Chicago 7, but Langella goes a step further, giving the Judge perhaps a hint of Dementia or some other illness as he stumbles through speeches at times, contorting his face in odd expressions and ignoring the rigid rules of the court in order to espouse his own opinions. It works to ground the character as a relic of a time gone by and a physical embodiment of the pro-Vietnam sentiment that the protesting defendants are up against. To this man, not enlisting is one of the most heinous crimes that can be committed, regardless of the reasoning, and no force on earth will stop him from convicting these men.

The Trial of the Chicago 7 is an incredibly timely film. One that will have you in a blind rage at the injustices you are seeing, made all the more potent by the contemporary comparisons that can be made. Aaron Sorkin’s writing is as excellent as ever, if a little bombastic at times, but it does the trick to get you so completely behind these eight men that have suffered such injustice. With excellent performances from the entire cast and some spot-on costuming and set design that will have you thinking you’ve been transported to the 60’s, this is an absolute home-run of a film for Netflix; a serious awards contender that deserves the praise that is being heaped on it and the best film of the year so far.

Dreamworks Pictures/Netflix, 2020

The Trial of the Chicago 7 stars Eddie Redmayne, Sacha Baron Cohen, Frank Langella, Mark Rylance, Jeremy Strong, Joseph Gordon Levitt, Yahya Abdul-Mateen II, Alex Sharp, John Carroll Lynch, Ben Shenkman & Michael Keaton – Streaming on Netflix now.

Categories
Movie Reviews

The Gentlemen

Miramax, 2020

Guy Ritchie burst onto the scene with his trademark frenetic, violent, cleverly interwoven stories of gangsters and crime-lords in Lock, Stock & Two Smoking Barrels and Snatch. In the years since, Ritchie has moved further and further from his roots, handling bigger budgets and properties – such as the recent Aladdin remake – to somewhat mixed results. The Gentlemen is a triumphant return to form for the director, a rip-roaring, sharp-tongued journey through the inner-workings of rival marijuana criminal syndicates and gangsters set against the familiar backdrop of London. While the story can get a little too crazy at times, the all-star cast, led by Matthew McConaughey, hold it all together and make this one of Ritchie’s most enjoyable and best films in a long time, and a hell of a way to start off the 2020 year of movies.

Like those other earlier films, The Gentlemen is told through stories within stories, which ultimately all collide together in spectacular fashion. The large portion of the narrative is told by cocksure, flamboyant private investigator Fletcher (Hugh Grant) – who has been tasked with tailing marijuana empire kingpin Mickey Pearson (Matthew McConaughey) and gathering information for a newspaper exposé – as he attempts to blackmail Pearson through his right hand man Raymond (Charlie Hunnam) to the tune of 20 million pounds. This comes at a particularly tenuous time for Mickey, who is in the process of leaving the business he helped create; negotiating to sell the business to rival drug lord Matthew (Jeremy Strong), whilst newcomer on the scene Dry Eye (Henry Golding) makes his own desperate play for Michael’s crown. Add to this a host of supporting characters from outside the mobs such as Colin Farrell’s gym owner Coach and you have an explosive clash of forces vying for supremacy, which brings with it an abundance of backstabbing, scheming and violence.

Miramax, 2020

What holds the films increasingly off-kilter story together and gives it its flair is the dialogue. It’s clearly evident that Ritchie understands this world and sub-culture of British life as if he’d lived it all himself – from the constant banter and local slang to the downright menacing threats made by these despicable characters – it works to give the film its own character and charm; you feel like you’ve stepped into this modern British underworld yourself (complete with fight scenes that also double as Grime music videos). As things continue to go in all directions, it’s the kooky cast of characters that Ritchie has assembled and the way in which they interact that holds you as an audience – which somewhat surprisingly gives everyone a chance to show off their comedy chops. Make no mistake, in addition to the violence audiences know Ritchie for, The Gentlemen is hilarious.

This is due to the simply stellar cast Ritchie has gathered, all of whom have their own individual quirks or affectations that make them endlessly watchable. Take McConaughey’s Mickey for example; we find out very early on that he is an extremely dangerous man and has got his position through less than reputable means. What McConaughey gives us after we learn this though, is a calmly measured, almost too relaxed leader – a ticking time bomb. It’s a masterful technique to get you invested in the characters and have you wanting to learn more about them. Despite it being McConaughey’s movie, the show is undeniably stolen by Hugh Grant. The iconic British actor goes about as far from his usual roles as possible as the conniving, wily journalist Fletcher, complete with a strong Cockney accent and a taste for Charlie Hunnam’s Raymond. The verbal sparring matches between Hunnam and Grant are some of the best scenes Ritchie has put to film; funny as well as intriguing, with both men on their toes trying to outwit the other: Fletcher attempting to throw Raymond off through sly advances and Raymond responding in kind with a calm, cocky confidence in his boss and their combined power. Hunnam more than holds his own against Grant in a more restrained, understated role than he usually plays, delivering some of his best work since Sons of Anarchy.

Miramax, 2020

The Gentlemen is a burst of fresh air for the start of the new year. A magnificent, guns blazing, fists swinging return to form for Guy Ritchie who goes back to his roots to give audiences all the hallmarks of his greatest work and the world he understands so well. If you’re not a fan of Ritchie’s earlier work, then this isn’t going to bring you over anytime soon, but for those that are along for the ride, the combination of a stellar cast, non-stop violence and more banter and NSFW jokes than you could ever ask for should be more than enough to keep you satisfied and have you leaving with a smile. If you haven’t seen a Guy Ritchie film before, then this is a damn good place to start.

Miramax, 2020

The Gentlemen stars Matthew McConaughey, Hugh Grant, Charlie Hunnam, Colin Farrell, Michelle Dockery, Jeremy Strong & Henry Golding – In cinemas now.