Disney films are like comfort food. Those classic tales like Aladdin or The Jungle Book that instantly take you back to childhood with epic, sweeping adventures that transport you into a fairytale world. 84 years on and Walt Disney Animation Studios shows no signs of slowing down, constantly innovating and changing with the times to deliver new stories to generation after generation. Their latest film Raya and the Last Dragon is a delightful throw-back to the lauded classics of Mulan and Hercules, a traditionally structured, if somewhat predictable story of a young woman destined to bring together the warring clans of her heavily South-East Asian influenced homeland Kumandra. With a swift pace aided by constant additions to Raya’s band of loveable brigands and an emotional centre that will warm and break your hearts multiple times, Raya is a film that respects the studio’s past and evolves it, with an authentic representation of Asian culture.
Set in the ancient land of Kumandra, we follow Raya (Kelly Marie-Tran) who, 6 years after a catastrophic mistake, has set out on a mission to unite the 5 pieces of the ancient Dragon Gem, created by Sisu (Awkwafina) – the last of the dragons – in a last-ditch attempt to thwart the ancient evil of the Druun. The locations of these pieces are all known to Raya thanks to her extensive knowledge of the history of the dragons and the once united land. What stands in her way are the different tribes – each named after a section of the dragon – that lay claim to a piece: Fang, Heart, Spine, Talon and Tail. Teaming up with a recently resurrected Sisu, Raya journeys through the vastly different areas, encountering myriads of enemies and traps, and collecting more than a few friends along the way including faithful Armadillo-like steed Tuk Tuk (Alan Tudyk), kid shrimp salesman Boun (Izaac Wong), the hulking but friendly warrior Tong (Benedict Wong) and Noi (Thalia Tran), a seemingly helpless baby who moonlights as a con artist with her three monkey companions, the Ongis. The already dangerous journey is hampered further by Namaari (Gemma Chan), a fearsome warrior and childhood rival to Raya from Fang, who is in constant pursuit of the group as they try to unite the pieces and vanquish the Druun once and for all.
What is instantly striking about Raya is the vibrancy of the world of Kumandra. The standard of animation on display is nothing short of stunning, filling each land with their own vivid colour palettes and distinct detailing. Tail is a vast wasteland of desert, an arid climate reminiscent of an Indiana Jones style adventure with ancient stone temples filled with booby traps. Talon is the complete opposite; a bustling, water bound marketplace – inspired by the floating markets of Thailand – lit by vibrant hues of orange and red from lamps that line the busy streets. Spine is a more traditional wooden village within a sprawling snowy forest of towering trees and bright crimson leaves, befitting the old-school warrior types that inhabit it. Everywhere you look is seeped in Asian culture, from the design of buildings and structures to the tiniest markings on swords and tapestries. Objects and traditions are pulled from Malaysia, the Philippines, Indonesia, Vietnam and more to create a unique melting pot and celebration of Asian heritage, giving Raya a fully realised world that feels both familiar and foreign.
While the story within that world will feel familiar to anyone who has seen a Disney animated classic before, the updates that Raya makes bring it into a modern climate without losing any of that sense of fun and adventure. Raya herself is the ideal Disney heroine, strong and in command of herself and the situations around her, but without the need for any romantic entanglement to fill in the blanks. She has flaws, as does any character, but overcomes them and the challenges presented to her through perseverance, trust and sheer force of will. You don’t need to give Raya a man to pine over when you establish an emotional bond as strong as the one she has with her father. This acts as all the motivation needed to propel you through two hours of movie, and her father Benja’s (Daniel Dae Kim) teachings of trust and accountability are a wonderful message that is accessible for younger audiences to grasp onto. If we trust one another and work together, as Raya does with her varied compatriots from wildly different areas of Kumandra, then you can achieve the impossible. It’s a simple but important message that isn’t thrust in your face but rather woven into the fabric of the narrative, naturally presenting itself as the only option for success.
Terrific voice acting round out the package, with a stellar lineup of Asian and Asian-American talent lending their vocals to the animated spectacle. Kelly Marie Tran is phenomenal as Raya, imbuing her with a fierce determination to overcome all obstacles in her way. In the quieter moments when this veneer of confidence drops and we see the young girl who has turned her back on the prospect of unity is when the emotion shines through, as we see the toll her past mistakes have had on Raya and the pain she carries with her. Awkafina proves a perfect pairing to Tran, as Sisu possesses the exact opposite qualities to Raya. Bright and bumblingly confident at the prospect of uniting Kumandra and working together in harmony, Sisu shies away from the thought that she herself possesses an innate power, similar to her siblings, whose sacrifice led to the creation of the Dragon Gem. The pair’s chemistry instantly hits, forging a leading duo that has the audience onside right up to the very end, making those emotional gut punches the Mouse House likes to pull all the more potent. Benedict Wong, Izaac Wang and Gemma Chan all bring something different and unique to their characters, rounding out a diverse and endlessly fun central group of heroes and villains.
Applying a fresh coat of paint to a classic formula proves to be Raya and the Last Dragon’s biggest strength, combining the tried and tested Disney story of a heroine overcoming all of the formidable odds laid before her with a rich and deeply layered South East Asian inspired world, in a narrative that places character and its messages of trust and unity over male pining or other old tropes. With sumptuous animation and excellent voice-work, Raya is filled with delightful characters and a world that you will want to return to again and again. Unlike the dragon, let’s hope this isn’t the last time we see Raya.
Raya and the Last Dragon stars Kelly Marie Tran, Awkwafina, Gemma Chan, Izaac Wang, Daniel Dae Kim, Sandra Oh, Alan Tudyk, Lucille Soong & Benedict Wong – In cinemas and streaming on Disney+ with Premier Access now.